Should You Go To A Writers Conference?

Peter Pollock, on his May 30, 2009 blog, Rediscovering the Church, blogs his skepticism about Writers Conferences. After my experience on Faculty at Colorado CWC and upcoming Philly Conference http://www.writehisanswer.com/Philadelphia/
I can see how one might be skeptical.
Now I am as sold as Peter. Read on from his blog entry...

Peter P on May 30th, 2009

writingTwo months ago I was very skeptical about writer’s conferences. As far as I was concerned, they were expensive and time-consuming and I wasn’t going to learn anything from them. I was pretty fixed in my opinions. I was certain that I was right.

Then someone paid for me to actually go to one (The Antelope Valley Christian Writer’s Conference) and my opinion was forever changed!

Whether you are an aspiring writer or a seasoned, published one, Writer’s conferences have something for you. Here’s why I think you should go to one and what you should expect.

The top three reasons to go:

1. Networking. Like it or not, in the publishing industry, it’s as much about who you know as what you know. At a writer’s conference, you will meet aspiring authors, published authors, professional editors, agents, publishers and a whole host of other people connected with the industry. Starting and building relationships with these people will help you no end in your quest to get published.
2. Education. At a conference, you will learn things you didn’t even know you needed to learn. You will discover more about the process of writing, more about what you should and shouldn’t do in your book(s), what has worked for other people, what other people have found doesn’t work, lots of different ways to make money as a writer that you probably haven’t considered and most importantly what NOT to do when writing a book proposal.
3. Giving. It is always true in life that you have to give to receive. I’m sure you want to receive help, I’m sure you want to receive a contract, you’d probably even like to receive some nice royalty checks. If you want to receive all of those things from the writing industry then you need to give first. At the conference you will meet other people like you to whom you can give encouragement and support and you’ll meet the faculty who you can encourage and give feedback to. Believe me, giving is essential and will reap rewards for both you and the people you give to in many, many ways.

What not to expect:

1. A contract right there, on the spot. It’s not going to happen. Sorry.
2. To sign an agent. It’s highly unlikely that you’ll actually get yourself an agent at the conference. Sorry.

On the flip side of that though:

1. You may just meet a publishing editor who asks you to send her (or him) your book proposal. BOOM! Your proposal just went from unsolicited to solicited. It’s not a contract or any form of guarantee but it’s a BIG step up the ladder.
2. You will start building relationships with one or more agents. When you later send them your book proposal, they will have a face to put to your name. You’re no longer just an unknown nobody, you’re that person they talked with last week who made them laugh over lunch. As they read your proposal, they will start with a positive opinion of you. That’s going to help you no end.

I am quite introverted and find it hard to strike up conversations with people but at a writer’s conference, there are two opening questions you can ask anyone you talk to:

* What do you write?
* Have you been published?

I used that approach to talk to quite a few people and ended up making some great friends and meeting some really interesting people. Not only that, but since then I’ve had some incredible advice and feedback and continued to build some wonderful friendships. The experience was really invaluable to me.

I absolutely recommend that you go to a conference. If you are anywhere in southern California, the AV Writer’s Conference is a great place to start (no, I’m not on commission, I just really enjoyed it).

My biggest single piece of advice though is this:

FOLLOW UP!

There is no point in going to a conference and making new contacts and friends if you’re not going to follow up afterward. It’s just a waste of your time and theirs!

What do you think? Have you been to a writer’s conference? Would you recommend that others go?

Chip MacGregor Answers a Tough Question

Chip MacGregor is known as a "Book Guy." His insight is timely and at times, remarkable. His blog about the current publishing trends highlights some thigns we've been discussing lately.

http://chipmacgregor.typepad.com/main/2009/05/five-questions-writers-are-asking.html

Questions Writers Are Asking

I've had more than 50 questions sent my way recently, so I'm going to dip into the mailbag and pull out five that I can respond to today...

Evan wrote to ask, "Do you think it's a good idea to start with a smaller publisher and try to have some success, as a way of getting the attention of a larger publisher?"

That's not only a good idea, it's pretty much the pattern writers follow in today's market. (Occasionally we'll see a great novelist get discovered and published by a large house, but that's become the exception instead of the rule.) Again, the best thing an author can do is to write a great book. Greatness gets discovered, in my view. Whether you move to a larger house is probably going to be part of the "career" conversation you have with your agent. Some writers have done very well at smaller publishing houses, and prefer feeling like the big fish in a smaller pond. Don't think that landing at a large publisher is going to be a dream come true -- it might be great, but larger houses have unique issues (for example, you can become writer #37 on their list of top authors).

And an addendum -- a couple people have written to ask about doing a book with Xulon or PublishAmerica. Those are not really publishing houses; they are printers. I don't have anything against an author choosing to self-publish, but a book with a self-publisher doesn't count as a "small house." As I've noted here before, unless you have a sales channel to move a lot of your books, publishers will completely discount the fact that you paid to have your novel self-published.

BookExpo America - Focusing on E Pub

The "E" Book craze has finally gotten the attention of traditional publishing houses, such that Book Expo America has multiple venues where this is the only topic.
The New York Times is covering it and seems to have a wait and see attitude about the future of e-book publishing...

Book Fair Buzz Is Not Contained Between 2 Covers
By MOTOKO RICH
Published: May 31, 2009

The book publishing industry is notorious for jumping on bandwagons: witness the flood of Da Vinci Code knockoffs that clogged tables at the front of bookstores a few years ago, and the stream of novels featuring vampires that are crowding bestseller lists now.
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Motoko Rich Reports From BookExpo America on the Paper Cuts Blog

So it should be no surprise that at BookExpo America, the publishing industry’s annual trade convention that ended Sunday in New York, publishers seemed to be putting their own stamps on the increasingly frenzied conversation about electronic books that has hijacked the business.

There were the panels: Giving It Away: When Free eBooks Make Sense and When They Don’t, Red Hot Readers: Market Adoption of Mobile eReading Devices and Jumping Off a Cliff: How Publishers Can Succeed Online Where Others Failed. Tina Brown, rasping with a bad case of laryngitis, kick-started a discussion with the chief executives of four New York publishing houses by asking if they were shocked when Amazon.com began charging $9.99 for e-books that paltry, pitiful sum.

Interead, a British company that introduced its new Cool-er electronic reader the first day of the Expo, sponsored a booth at which two blond women in tankinis handed out nonalcoholic margaritas and more potent piña coladas to a steady stream of conventiongoers who stopped by to watch demonstrations of the new devices. HarperCollins decided mostly to forgo the traditional giveaways of advance paperback editions of forthcoming books, and instead gave out gift cards redeemable for electronic galleys of titles like Neil Gaiman’s Odd and the Frost Giants and Mary Karr’s Lit.

So far e-books represent 1 to 3 percent of total book sales. But they make up the fastest growing part of the industry, and publishers, authors and booksellers have no idea just how big they will become and how they might affect profits and reading habits in the future.